The Common Day, 2008, (with Michaela Rázusová Nociarová), 1`35`
The Common Level 4, 2003, 11`20``
The Common Level 3, 2001 (with Michaela Nociarova), 1`34``
The Common Level 2/ I Have (Been) Walked, 2003, 4'12''
The Common Level 2 / I Have (Been) Watched, 2001, 20`
The Common Level 1, The Path from My Reality to your Picture, 1999/2000 (with Michaela Nociarova), 19`56``

The Common Day, 2008, (with Michaela Rázusová Nociarová), 1`35`
is a 2nd part of the collage of small videonarratives which is derived from our common video from 2003 (between November 12th, 2002 and December 20th, 2003). It is again about the common activities during a regular day. Visual mosaic in the pulsing rhythm of the day partially encloses fragments of the simple activities as well as the stills covering longer time period with narrative structure.

The Common Level 4, 2003, 11`20``
The Common Level 4 was made during my Fulbright stay in Boston, USA. It is divided into 3 parts:
First Part: Let Me Walk Your Way (2`59``) was made in cooperation with visual artist Kevin Hamilton. Kevin films his walk through the streets of Urbana, IL, while discribing his movements to me on his cell phone. At the same time, in Boston, MA, I walk according to his directions, I imitate his path, following his rhythm. His movements are my movements.
Part Two: Let Me In (2`35``) moves inside as my friend John Tubbs describes his movements through his house in Illinois to me on the phone. He describes hi environment to me, as I follow his movements through my house in Boston, MA. I imagine seeing what he sees.
Part Three: Let Me Be You (6`26``) a distance has been collapsed to the gap between one person's brain and another person's hands. This is a short sequence from the life of John Kelly who can only move his body via second person. During six months I worked for him he manipulated his environment through my hands.
His requests became my intensions and my movements were fine tuned by further directions in an ongoing feedback loop.

The Common Level 3, 2001 (with Michaela Nociarova), 1`34``
The Common Level 3 is another piece I made together with Michaela Nociarova. It is an attempt to connect our favorite hobbies and at the same time to express
the possibilitz of co-existence of two absolutely different entities. There can be seen parallels with Jesus' walk on the water. We had it in our minds together with an idea to create just a simple funny game that can be played with what we call “reality”.

The Common Level 2/ I Have (Been) Walked, 2003, 4'12''
The Common Level 2 / I Have (Been) Walked is the folow-up of the part 1: I Have (Been) Watched. I am an observer and I am beeing observed again. The split screen shows me walking with camera fixed on my head beeing filmed at the same time from behind and my “inner” view taken with that camera. I have made this piece during my Fulbright stay in Boston, USA.

The Common Level 2 / I Have (Been) Watched, 2001, 20`
I Have (Been) Watched ... in / from the window of my appartment observing the real state of the street - nothing is going on - nobody anywhere - returning to this window everyday I wouldn't be able to find anything more interesting than this silent emptiness without a trace of some story worth watching. It is never possible to anticipate what will happen but there are some principles emerging. When there is somebody going up the street there is somebody going down the stree for sure.
And once there was somebody in the opposite window and once not. 24 hours of the street is never ending story with perfect scenario consisting of everything, free of useless unreal story lines which only make the reality unclearer. It is enough just to stand by the window and watch it. In my head there is a beautiful entry of that reality which I perceive and which I am part of. And in between there is almost invisible border and I apper once in front of it and once behind. And I never know where actually I am at the moment. Is that me who is watching or again that phobia of that I am beeing watched?

The Common Level 1, The Path from My Reality to your Picture, 1999/2000 (with Michaela Nociarova), 19`56``
There is a Real Picture and Picture of a Reality. We have cell phones and video cameras fixed on our heads. One of us is outside watching the river, climbing the tree, ridding a bike or playing the drums shooting everything with the camers and talking to the other one on the phone. The other one is in the studio trying to understand and paint according to the words she hears on the phone. The two films are the result of this attempt to think and act at the same time. The viewer is the judge comparing how far we have got on the way from “reality” to “its picture” and the final outcome runs in his head while watching these two films. The process which usually takes place in one person we have divided in two.